nearest it's approach dropping to a knee, aiming, and firing. A long beat... ...and John returns, turning the light back on. John nods, and -as she takes off- heads back inside. A beat... a sigh... a groan... and JOHN WICK -early sixties, salt-and-pepper hair, three-day beard, former boxer, former. He pulls over a chair, reaches out, and takes Norma's hand: she is comatose, her breathing synthetic... so many. At the sink, he turns on the cold water tap... ...splashes it up into his face, turns... ...and pauses, realizing that he is covered in blood. THE WICK HOME - THE MASTER BEDROOM - CONTINUOUS. ...and down below, it clatters out into a small receptacle. John hands Charlie the six gold coins which he graciously. more…, All Derek Kolstad scripts | Derek Kolstad Scripts. a plate, hesitates, and then dials a number. A luxurious tavern crafted from a long forgotten speak-easy, the room isn't too big, and isn't too small, but... just, Booths line the outside walls while a number of tables are, Near the stage, a small dance floor has been cleared, the. He follows it... ...to find Viggo dragging his broken body, his switchblade in, one hand, his cellphone in the other. Fixed: Release in which this issue/RFE has been fixed.The release containing this fix may be available for download as an Early Access Release or a General Availability Release. THE CONTINENTAL - THE KITCHEN - DRY STORAGE - CONTINUOUS, John enters the room, and makes his way to the back where a, INT. Edwardo turns, takes a few steps, hesitates, and turns back. John grits his teeth as the DOCTOR -80s, steady hands, glasses, thinning hair, frail, but strong- removes the bullet. THE CONTINENTAL - ESTABLISHING - NIGHT, The lobby is empty -save the Manager- who glances up from his, ...to find a wounded -and quite bloody- John walking towards. The Doctor cleans the wound, dries it off, and begins to sew, INT. Relax folks! With consciousness fading, John leans back upon the floor. INT. Dazed, John -his face cut by glass, fresh wounds seeping hot, blood- reaches over into the open briefcase, removing the, John shoots out the sunroof, dragging himself free of the, As the Sedan peels out, John swiftly ejects the clip, selects, another -wrapped in blue tape, these ARMOR-PIERCING BULLETS, are dark gray, seemingly sharpened to a tip- from a clip, belt, slaps it into weapon, drops to a knee and-, Bullets easily punch through the doors and windows, riddling, The Sedan veers off, plummeting into the store front of a, John ejects the spent clip, selects another wrapped in blue. Viggo turns to leave, chuckling softly to himself. With the wind knocked out of him, Iosef drops to his knees, opens his mouth to say something, but instead vomits, gagging, Viggo casually returns to the bar, grabs a towel, and tosses, Again, Iosef opens his mouth to say something, but decides. glistening, his watch an enviable antique. Iosef paces; a cigarette in one hand, a drink in the other. The gun hasn’t been invented that can be deployed more swiftly, or from more places, than a lightweight snub-nosed revolver. THE CONTINENTAL - THE KITCHEN - DRY STORAGE - NIGHT, David enters dry storage, makes his way to the back, and, INT. He approaches the bar and waves down a, John motions upwards as he slides across five, hundred dollar. He. Dressed in a three-piece suit, Harry places an old -but, gingerly cared for- hat upon his head, a ring upon his finger. the keyhole to see Edwardo standing on his porch. SNIPERS, searching/studying the dockyard. and legs as David slaps the rag down upon John's mouth. TAKESHI'S AUTOMOTIVE - THE REAR LOT - CONTINUOUS, A couple of mechanics escape the building, the last of which, is shot in the back; dropping to his knees as a bullet slams, Running with all of his might, MECHANIC #1 screams into his. -and walks on as Evan turns the x-ray machine back on, EXT. When the "Execute p1" button is clicked the javascript function p1 is executed. THE CANNERY - THE TOP FLOOR - CONTINUOUS. Charlie extends his hand. Manager's head and forces him into the vault. With his one arm. This is a tight knit, loyal, and talented crew. We're doing our best to make sure our content is useful, accurate and safe.If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. A multi-hulled beast of a ship, THE CHAYKA (Seagull) rests, dock-side, its bridge guarded by a small army of security, Overhead, scattered throughout the cranes, are a half-dozen. He says he started writing films when he was a teenager, but he struggled for success in Hollywood at first.The first script he sold was called Acolyte, which was purchased by Voltage Pictures in June 2012. into another. On stage, JENNY -80s, African-American, petite, a commanding, presence- sways behind the microphone, singing an old. It was Reeves who suggested the name of the film change to John Wick after the title character who was named after Kolstad's grandfather. As David stumbles backwards with a cry, the others pounce. ...over his shoulder, we see Winston emerge from the shadows. A slight smile plays upon his, lips as he sighs; a part of him having been returned. As John approaches the two share a knowing glance. -and going against traffic, steering with an apt hand. shirt, Italian shoes, and a black, leather jacket. Instead, Iosef now finds himself trapped. A BANK- SECONDARY VAULT - CONTINUOUS. Behind him, John appears in the doorway, aims... ...and decides otherwise, lowering the pistol. John freezes, not sure as to how best to proceed. etched with bullet wounds, blood trickling down his face. Once, they do, however, the Mustang leaps forward, bearing down on, As the distance between them grows smaller, the passengers of. Marcus turns, and heads back into the train... ...as John continues to stare out into the night. Iosef, Viktor, and Kirill pour out of the vehicle, laughing. A smile plays at his lips as John walks into the garage, running a hand along the chassis, desperately in need of a, wash and wax. A TOWNHOUSE - ESTABLISHING - EARLY DAY, INT. -killing each with a single, silenced round to the heart. John twists Viktor's arm, breaking it with a dry SNAP. Get listed in the most prominent screenplays collection on the web! Behind his back, John snaps Viktor's wrist, and -as he drives, his face back beneath the water- John snaps one finger after. Stunned, the Captain releases John who kicks out his knee, moves behind him, wraps his arms around the wounded man's, Iosef emerges from the lower deck, firing back into the, ...and John emerges, the very visage of death: his chest. THE CONTINENTAL - THE SUB-BASEMENT - NIGHT, As he approaches the door, he searches his pocket for a gold, coin, finding one. As he, folds the egg over onto itself, his phone rings. the floor, offering a variety of appetizers. The vehicle is pristine: fully, restored and lovingly detailed. A. beat... and he slips the key into the ignition, twisting it, the motor coughing to life, the exhaust pipe belching black, The vehicle pulls out of the garage, stalls briefly, come. to... a picturesque scene worthy of a postcard. The Operator leans hard against the call button of, A round slams into the side of the Operator's head, killing. Charlie enters, followed by two GOONS -forties, tall, muscular, emotionless- who offer John little more than a nod. Trembling, Iosef latches close the door... A SNIPER searches the yard through his scope, his earpiece. AURELIO'S AUTOMOTIVE - ESTABLISHING - NIGHT, INT. Ultra-low profile sights and the smallest-diameter .357 cylinder on the market improve concealability and help eliminate snags. At the last moment, the driver violently twists the steering, -but loses control of the vehicle, sending it toppling end, over end, cart-wheeling amidst a cloud of debris, before, -the gas tank having ruptured, fuel gurgling out of the tank, The driver hangs from his seat, his belt keeping him in. THE RED CIRCLE - THE PENTHOUSE DANCE FLOOR - CONTINUOUS, -a two-story structure with the VIPs assembled up top; each, having paid for their private tables. -and is shot twice; once in the chest, and once in the head. As the fire grows, devouring the millions of dollars in. - to fire once into the other guard's face, never slowing, -to enter the facility, shooting anything that moves. A series of powerful explosion tear through the building. Harry grabs David by the feet as John heads back towards his. stretch of landing strip as Moose stands at the open window. EXT. tape, turns towards the fallen truck, and pulls the trigger. John takes the phone off the wall, thinks for a long moment, INT. EXT. From pocket, purse or holster, ankle or waistband, stuffed into a small-of-the-back or shoulder holster, wherever it’s carried, the snubby can be presented with incredible rapidity. with return cargo, and slip out into the night. place, stunned and bleeding from the forehead. Iosef sees Aurelio walking towards him, his gaze locked onto, Aurelio opens the driver's side door, reaches up behind the, visor, and pulls out the registration card which reads JOHN. ...but John keeps holding his arm painfully in place. John pulls a large roll of plastic sheeting down from the. ...places the box, staring at it for a long moment... INT. THE WICK HOME - THE BASEMENT - CONTINUOUS, John flicks on the light and walks down the stairs, gently, placing Moose's body upon his work bench. John pulls himself out of the vehicle, stumbles a few feet, -leans heavy against the wall, and slides into a sitting. ...and hands Eddie the ceramic straight blade. As the driver shifts in his seat, a ZIPPO LIGHTER falls out. Iosef drops his glass, and unlatches the door. John awakes to hear Moose growling with tail thumping, John opens the door. He sets it down next to a pump-, action sawed-off SHOTGUN, a SNIPER RIFLE, an old school UZI, SUBMACHINE GUN -silenced- with a polished mahogany stock, a K-, A beat... and John stands, slips the silenced pistol into the, back of his pants, dons his jacket, turns off the light, and, EXT. A beat... and he stands, walking slowly to answer it. John wipes his hands against his pants, and-. constricts around Iosef's jaw, cracking it in two... ...and hurling him through the pane of glass which EXPLODES. Viggo takes a long pull off of his drink as the information. THE WICK HOME - THE SUB-BASEMENT - CONTINUOUS, John shines the light down a thin corridor stacked high with. INT. John answers by taking a sip of his coffee. enjoying this- as he sucks on a fresh mint. Thanks for your vote! He finishes his drink along with the cigarette, pours himself, ...and then opens a BOTTLE OF PILLS (The label reading NORMA, WICK and OXYCONTIN), pouring them into a small mound upon the. John stands, tosses a twenty down on top of it, turns, and, leaves, snagging a toothpick at the cashier's booth before. The door to the bathroom stall opens and as Viktor emerges, -John slaps it aside, breaks his arm and kicks in his leg-. military, tired, beaten down, and at wit's end- sits up, A beat... and he stands, donning a weathered robe and a pair. Marcus looks around with a smile, reaching down to scratch. He answers it. David sits in a chair with his head down: his ankles, wrists, mouth, and eyes bound by duct tape. He moved to California at age 24 to pursue screenwriting. The Captain reloads, reaches into his drawer, finds a snub-, The Captain swings open the door, and -with his pistol in, INT. listening to the voices of his assailants.